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What is Quality TV?

Like many of us, I've had a bit more time these past few months to check out TV series - I picked up a couple of new video subscriptions so I could watch, for example, Succession. I had heard and read so much about this show from students who really enjoyed it and from critics who recommended it.

Succession fits into a category that many academics and media professionals would call "Quality Television." The designation, which is applied to series like HBO's The Sopranos, prioritizes complicated narratives, outstanding production values and "realistic" depictions of life. It seems also to prioritize all kinds of foul language and evil actions, generously peppering dialogue with the "f word" and highlighting vice rather than virtue.

This version of "quality" is most likely not for everyone...not even for a majority of TV viewers. Certainly not for me.

Sure, production values are excellent, and some of the acting is top notch. But the themes, characters and plots are light years away from "quality entertainment" in my book. The show isn't inspiring...or thought-provoking...or edifying...or even informative.

Succession, and many series like it, feature themes of infidelity, rape, narcissism, and the abuse of power. "Good" is pretty much defined as "what works to advance one's goals," and evil isn't something to overcome...unless, of course, it doesn't work to one's benefit. Main characters are liars and opportunists whose primary traits include selfishness, acquisitiveness, thirst for power, and manipulativeness.

Perhaps this is a high bar for "quality" - but the stories we tell, listen to, and watch become part of our culture. And it is up to each one of us whether we create and choose content that enriches and ennobles that culture or impoverishes and degrades it.

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About Patricia Phalen

I am an Associate Professor in the School of Media & Public Affairs (SMPA) at George Washington University. I've served as Associate and Assistant Director of SMPA as well as SMPA’s Director of Graduate Studies. My Masters and PhD in Radio/Television/Film are from Northwestern University, and my BA and MBA are from Boston College. My research focuses on the economic sociology of mass media organizations, particularly the relationships between media production and audiences. My most recent book is Writing Hollywood: The Work and Professional Culture of Television Writers. I have co-authored two books, The Mass Audience: Rediscovering the Dominant Model (with James G. Webster) and Ratings Analysis: The Theory and Practice of Audience Research (with James G. Webster and Lawrence W. Lichty), now in its 4th edition. I have published in academic journals such as The Journal of Media Economics, The Journal of Broadcasting & Electronic Media, Telecommunications Policy, The Journal of Popular Culture, The International Journal on Media Management, Political Communication and The Journal of Radio Studies, among others. I've taught graduate and undergraduate courses at Northwestern University, Ohio University and at GWU, including Hollywood & Politics, Media Organizations & Audiences, Audience Research, and Media in a Free Society.

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